Some ties in progress for the men in The Lost Dance. Fabric waiting to be draped. A dress begins to take shape. You can see the results of Adam Arnold‘s work in the world premiere of Matjash Mrozewski’s The Lost Dance , one of 4 short works in Oregon Ballet Theatre’s spring program, Chromatic Quartet,… Read More
by OBT historian Linda Besant I’m the ballet historian at OBT, and many people know me as a total ballet geek. When they ask me, as they often do, “What’s your favorite ballet?” I’m stymied, because I love so many. But I do have a “must see list.” If a ballet on this list is… Read More
Every day at noon, Nobel Peace Prize winning humanitarian doctor Albert Schweitzer would play Bach cantatas on the organ at his home in Lambarene, in what is now Gabon, west Africa. A visitor to the community of Lambarene was likely to hear the drums and traditional polyphonic chants of the townspeople mingle with the organ… Read More
Every once in a while, a dancer and a choreographer just hit it off. A creative spark occurs that can turn into years of inspired partnership. Christopher Wheeldon describes it like this: “There are times in your life,” says Wheeldon, “when you find dancers who speak your language. They start to turn your language into… Read More
On the cusp of his career as a professional ballet dancer, Christopher Wheeldon scored a cheap ticket to New York City that came with the purchase of a Hoover vacuum cleaner. He headed straight for the New York City Ballet. He explains, ”I walked into Peter Martins’s office with a videotape and said, ‘And by… Read More
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